Wednesday 27 February 2013

Louse genetics offer clues on human migrations

A new genetic analysis of human lice from across the world sheds light on the global spread of these parasites, their potential for disease transmission and insecticide resistance.



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Homeric epics were written in 762 BCE, give or take, new study suggests

One of literature's oldest mysteries is a step closer to being solved. A new study dates Homer's The Iliad to 762 BCE and adds a quantitative means of testing ideas about history by analyzing the evolution of language.



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Ethnography in Chicago

2013 AAA Annual Meeting Logo

2013 AAA Annual Meeting Logo



Chicago has been a distinctive site of ethnographic study for nearly 90 years, due to the focused efforts of sociologists and anthropologists at its universities. Though available space hardly allows for a thorough overview, I can at least hit some highlights.


The Chicago school of sociology (or urban ecology and later criminology) involved the works of scholars at several Chicago institutions, and was most famously connected to the University of Chicago where Robert Park and Ernest Burgess established the study of urban sociology in the 1920s, publishing The City in 1925. They and their colleagues and students took an empirical approach to urban life, focusing on gemeinschaft-structured, often race, ethnic and class-ordered communities of participants linked through shared networks, many of which were typically ignored or disvalued by dominant norms. In doing so, they also set the stage for what in later decades became urban anthropology. Early Chicago school works include: Nels Anderson’s 1923 The Hobo: The Sociology of the Homeless Man, Frederic Milton Thrasher’s and James F. Short’s 1927 The gang: a study of 1,313 gangs in Chicago, Louis Wirth’s 1928 The Ghetto, Harvey Warren Zorbaugh’s 1929 The Gold Coast and the Slum: A Sociological Study of Chicago’s Near North Side, Paul Goalby Cressey’s 1932 The Taxi-Dance Hall: A Sociological Study in Commercialized Recreation and City Life. Chicago school work examined the role of community business institutions (Morris Janowitz’s 1952 The Community Press in an Urban Setting, Everett Hughes’1979 The Chicago Real Estate Board: The Growth of an Institution), territorial ordering and land use (Gerald Suttles’s 1968 The Social Order of the Slum: Ethnicity and Territory in the Inner City and his 1990 The Man-Made City: The Land-Use Confidence Game in Chicago), and politics (Harold Foote Gosnell’s 1935 Negro Politicians: The Rise of Negro Politics in Chicago). Some of this research was published years after it was done; some was never published, including that of Charlotte Gower, a graduate student in the newly independent anthropology department, studying Chicago Sicilian migrant memory culture as a prologue to her dissertation fieldwork in Sicily (eventually published in 1971 as Milocca: A Sicilian Village).


Of particular importance are studies of black Chicago by African American social scientists, including University of Chicago students Edward Franklin Frazier, John Gibbs St Clair Drake and Horace Cayton Jr. Frazier’s 1932 The Negro Family in Chicago was based on his 1931 sociology doctoral dissertation. In 1945, St Clair Drake and Cayton published Black Metropolis, a comprehensive study of Chicago African American social structures. Cayton also did interview research with black officers on Chicago’s police force. St Clair Drake was a student of William Boyd Allison Davis, a 1942 PhD in anthropology and the first black faculty member (in the department of education) at the University of Chicago; St Clair Drake received his PhD in anthropology in 1953. He spent his career (1945–67) teaching at Chicago’s Roosevelt University, itself an important institution in the history of racially inclusive higher education.


Chicago anthropology includes David Schneider’s 1968 classic American Kinship: A Cultural Account and Esther Newton’s 1972 Mother Camp. Chicago blues is examined in Charles Keil’s 1966 Urban Blues and David Grazian’s 2003 Blue Chicago: The Search for Authenticity in Urban Blues Clubs. Gangs are revisited in Lincoln Keiser’s 1969 Vice Lords and Sudhir Venkatesh’s 2008 Gang Leader for a Day. A sizeable literature on Latino Chicago has emerged, including Felix Padilla’s 1985 Latino Ethnic Consciousness: The Case of Mexican Americans and Puerto Ricans in Chicago, Ana Yolanda Ramos-Zayas’ 2003 National Performances: Class, Race and Space in Puerto Rican Chicago, Nicholas De Genova’s 2005 Working the Boundaries: Race, Space, and “Illegality” in Mexican Chicago and Gina Perez’ 2004 The Near Northwest Side Story: Migration, Displacement and Puerto Rican Families. Chicago’s South Side is the setting for Mitchell Duneier’s 1992 Slim’s Table: Race, Respectability, and Masculinity and Loïc Wacquant’s 2004 Body and Soul: Ethnographic Notebooks of An Apprentice-Boxer. Ethnolinguistic concerns are addressed in Gloria Nardini’s 1999 Che Bella Figura!: The Power of Performance in an Italian Ladies’ Club in Chicago, and by Marcia Farr in Ethnolinguistic Chicago: Language and Literacy in the City’s Neighborhoods (2004), Latino Language and Literacy in Ethnolinguistic Chicago (2005), and Rancheros in Chicagoacán: Language and Identity in a Transnational Community (2006).


Given ongoing research projects, this list will grow a lot longer in years to come!


Dana-Ain Davis and Alaka Wali are the chairs of the 2013 AAA Annual Meeting and the contributing editors of the Chicago Beckons column. They may be contacted at 2013aaaprogramchairs@gmail.com






via Anthropology-News http://www.anthropology-news.org/index.php/2013/02/27/ethnography-in-chicago/

Inside the Executive Director Search

Leith Mullings

Leith Mullings



How the Executive Board Found AAA’s New Leader


Ed Liebow, who holds a PhD in cultural anthropology from Arizona State University, will be the first anthropologist in decades to occupy the position of executive director (ED) of the AAA. He has been a member of the association since 1977 and has served the discipline in a variety of elected and appointed roles. Ed assumes this post as the association confronts new challenges and opportunities for innovation, among them a rapidly changing scholarly publishing environment, a growing membership that is increasingly diverse and international, and a mandate to strengthen anthropology’s role in education, scientific inquiry and public discourse.


The Search


The Executive Board began by considering the skills, qualities and characteristics an executive director should have, based on the needs and priorities of the association. Clearly proficiencies in management, leadership, administration, communication and fundraising are critical. The ED must also have some familiarity with the publishing environment and be able to monitor government regulatory bodies relevant to the AAA. The Executive Board sought a candidate who, in the words of the Summary of Competencies, is “able to lead and support the AAA in its public communication efforts…. (and to) further the AAA’s goal of inclusion to make it a vibrant organization and welcoming space for all anthropologists….” In addition, the EB was committed to finding an ED “who is passionate about the work of the AAA; (and) can inspire anthropologists, members of staff, political actors, community members and the media about that work…..” In sum, the EB sought a candidate with “passion, commitment, vision, intellectual engagement, openness, fiscal responsibility, and the ability to plan realistically, inspire, communicate to a wide range of audiences, and shape and lead organizational change.”


The Search Process


The search was multilayered, wide ranging, thorough and inclusive. The first task was to assemble a search committee as representative of the many dimensions of our membership as possible. I was fortunate to be able to appoint a stellar search committee that brought tremendous depth of experience, expertise and understanding to the search. Skillfully chaired by Monica Heller, AAA vice president/president-elect and a linguistic anthropologist who lives and works outside the United States, the committee included Don Brenneis, a social and linguistic anthropologist and former AAA president; Johnnetta Cole, a social anthropologist who has been president of two colleges and now directs the Smithsonian’s National Museum of African Art; T J Ferguson, an archaeologist, practicing anthropologist and former chair of CoPAPIA; Alan Goodman, a biological anthropologist, former dean, and former AAA president; and Elaine Lynch, AAA deputy executive director/CFO.


A subcommittee of the EB interviewed five search firms and selected one firm that was able to cast a wide net for candidates by advertising on the websites of 19 newspapers and national associations, and using contact lists and listservs. After interviewing the pool of viable candidates, the search firm selected 12 applications for the search committee to consider. From these the search committee selected six for in-person interviews. Over the course of two days the search committee interviewed five candidates (one of the six withdrew for personal reasons) and presented two for consideration by the EB.


Based on eight hours of interviews and deliberations, the EB unanimously voted to offer the position to Ed Liebow. Ed has worked as the director of the Battelle Centers for Public Health Research and Evaluation and has run his own firm, Environmental Health and Social Policy Center. With experience supervising a staff of 70 and a budget of 10 million dollars, Ed is an accomplished administrator, manager and fundraiser. Furthermore, he is quite familiar with the culture of the association and has served the discipline in many capacities: as a member of the executive board and program chair for the Society of Applied Anthropology, president of the National Association for the Practice of Anthropology, an AAA EB member and a member of the editorial board of American Anthropologist. As the AAA Treasurer from 2006–12, he was a responsible steward of the organization, navigating it through volatile financial times. What is more, he is an accomplished scholar, with scores of articles and technical reports to his name.


The Vision


Ed brings invaluable experience, skills and knowledge to the position of executive director and articulates an exciting vision for the association: “I envision an association that supports a vibrant, diverse and globally connected community of scholars and practitioners engaged in knowledge production and dissemination that promote a richly textured understanding of the human condition to be mobilized in tackling problems of social justice and sustainability, which I regard as the key challenges of our day.” The Executive Board shares this vision and is confident that Ed Liebow will be a strong leader, moving the association forward to meet the challenges ahead.






via Anthropology-News http://www.anthropology-news.org/index.php/2013/02/27/inside-the-executive-director-search/

Tuesday 26 February 2013

Evolution and the ice age

Scientists are discovering how the evolution of ecosystems has to be taken into account when speculating between different geological eras. Go back to the time of the dinosaurs or to the single-celled organisms at the origins of life, and it is obvious that ecosystems existing more than 65 million years ago and around four billion years ago cannot be simply surmised from those of today.



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Monday 25 February 2013

Maize in diets of people in coastal Peru dates to 5,000 years ago

Scientists have concluded that during the Late Archaic, maize (corn) was a primary component in the diet of people living in the Norte Chico region of Peru, an area of remarkable cultural florescence in 3rd millennium B.C. Up until now, the prevailing theory was that marine resources, not agriculture and corn, provided the economic engine behind the development of civilization in the Andean region of Peru.



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Friday 22 February 2013

Has evolution given humans unique brain structures?

Humans have at least two functional networks in their cerebral cortex not found in rhesus monkeys. This means that new brain networks were likely added in the course of evolution from primate ancestor to human.



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Thursday 21 February 2013

Fighting Foreclosure in the Bay Area and Beyond

SUNTA’S Conversation with Housing Activist Jesse Trepper


On November 16, 2012, the Society for Urban, National, and Transnational/Global Anthropology (SUNTA) hosted its annual community interlocutor session at the American Anthropological Association meetings in San Francisco. With these sessions, SUNTA considers issues relevant to the meetings’ host city by inviting a local non-anthropologist to join us in conversation. We held the 2012 session, “A Conversation with Bay Area Housing Activist Jesse Trepper,” as a roundtable to promote open dialogue. This format gave six anthropologists a chance to share their research on housing and activism in their field sites with our community interlocutor, Trepper, who discussed some of the challenges and successes of her work fighting foreclosures and evictions in the Bay Area. Given the extent of the mortgage crisis in California and the wellspring of protests against foreclosure in the Bay Area, we were confident that this was a timely topic for people living in and around San Francisco and that it would be of interest to anthropologists as well.


Trepper participates in housing activism through Foreclosure and Eviction Free Oakland, the East Bay Solidarity Network, and the Occupy Oakland Foreclosure Defense Group. She was involved in Occupy Oakland in its early days, and still collaborates with Occupy members, but much of her current work focuses on neighborhood-based foreclosure and eviction prevention in West Oakland. During the roundtable, Trepper described her efforts as an activist to turn the momentum of the broader Occupy movement into locally meaningful change. She sees the mortgage crisis as a site of political, racial, and socioeconomic inequality and foreclosure as a community problem, not just an individual concern. The groups with whom she works use a variety of direct action tactics to highlight the crisis’s structural dimensions. In preventing foreclosure, they seek to build solidarity for fights against other forms of inequality as well.


Catherine Fennell, Susan Greenbaum, Edward Murphy, James Holston and I were the anthropologists on the roundtable, although many audience members also contributed. Fennell opened our conversation with an overview of housing policy and home foreclosure in the US, and later drew on her own work on public housing reform in Chicago. Greenbaum shared her impressions of the mortgage crisis in Florida, her home state and frequent field site. Like California, Florida has been hard hit by foreclosure. But activist groups such as Occupy have not found a foothold, and the political climate is such that many homeowners are too ashamed to protest against their lenders. Murphy drew on his ethnographic and archival work on the formalization of land rights for poor Chileans under the Pinochet dictatorship. There, as in the US, pro-homeownership policies were not neutral, but linked to Chicago School Economics and anti-Socialism. Holston reflected on the conditions of possibility for a more progressive approach to housing, reminding us of the 1930s eviction strikes in US cities led by a then-strong American Communist Party. Finally, I shared some of my preliminary findings on community responses to foreclosure in Chicago and in the Bay Area, where varied housing histories, racial and class dynamics, and activism styles result in divergent approaches to home loss.


Reflecting back on our conversation, I am reminded of the value of ethnographic, regional and historical comparison in understanding complex issues such as foreclosure. Clearly, increasing homeownership does not end housing inequality. Sometimes, it perpetuates it. Yet how can that knowledge be used, given the historical links among homeownership, social class, and race in the United States? As anthropologists, we work, largely individually, to grasp the specificity of a particular place, group of people, and set of circumstances in a given moment and convey that to our audiences. But we enrich our understanding through comparison and collaboration—not just with other academics in our field, but also with the activists, intellectuals, and visionaries in our midst. If we do work that reflects and is responsive to the people and places we study, those outside of anthropology can also benefit from working with us.


The SUNTA Board welcomes suggestions from its members for a non-anthropologist community interlocutor for our next meeting in Chicago, and hopes that the sessions continue to be a high point in meetings to come.


If you have an idea for a SUNTA Anthropology News column—news and views, reports from the field and book reviews welcome—please contact Contributing Editor Susan Falls at sfalls@scad.edu.






via Anthropology-News http://www.anthropology-news.org/index.php/2013/02/21/fighting-foreclosure-in-the-bay-area-and-beyond/

Early human burials varied widely but most were simple

A new study shows that the earliest human burial practices in Eurasia varied widely, with some graves lavish and ornate while the majority were simple.



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Review of “Questioning French Secularism: Gender Politics and Islam in a Parisian Suburb” (2012)

Questioning French Secularism: Gender Politics and Islam in a Parisian Suburb (2012) by Jennifer A Selby is one of the most recent titles published in SAR’s book series with Palgrave Press under the editorship of Laurel Kendall.


Cover of Questioning French Secularism. Image courtesy Jennifer A Selby

Cover of Questioning French Secularism. Image courtesy Jennifer A Selby



There have been many fine academic works on Muslim immigration into France, but most of these have focused more on official French discourse about Islam and secularism and on migrants’ public reactions to that discourse. Jennifer A Selby’s new book, however, joins a small but growing number of solid ethnographies that looks beyond the public discourse to explore the everyday experiences and shifting views of Muslim migrants inhabiting the banlieues of France. Selby spent two years living among mostly North African migrant women in the Parisian banlieue of Petit Nanterre, in the process discovering (without surprise) that the political rhetoric of French officials about the supposed oppression and backwardness of Muslim women relates only tangentially to the real-life concerns of the migrants.


As is requisite for a work on Islam in France, Selby lays out the assumptions about religion and public life that undergird French secularism, or laicité, assumptions such as the implicit equation of democracy, nationhood, and a public sphere devoid of (certain) religious symbols. Though Selby’s larger survey of the history of the theory of secularism seems odd at times, her more specific exposition of French laicité gives theoretical depth to her examination of dominant French attitudes about Muslim migrants, especially as those attitudes were expressed during the recent debates about the Islamic headscarf, or hijab. For example, Selby notes that the historical development of laicité in France has over time become conceptualized as freedom from religion, rather than freedom of religion. Because the hijab is interpreted as a religious symbol, then creating a laic public sphere means barring the public presence of the hijab. The French parliament accordingly passed the Law of March 15, 2004, that bans girls in “Islamic scarves” (foulards) from public schools.


While the passage of this law has been dissected in the academic literature—Selby reviews some of this literature—she adds several interesting points of analysis to the discussion, in the process highlighting the disparities between French public discourse and migrant reality. For example, Selby points out that the French focus on the headscarf is somewhat fetishistic and obscures Muslim women’s actual political and communal engagement. That is, the French voices that supported the passage of the law assumed the hijab revealed everything one needed to know about its wearer—that she was oppressed, uneducated, and needed to be liberated from her condition. What a veiled woman actually thought seemed to be of little concern. As Selby makes clear, however, the migrant women cared about many things, but they were singularly unconcerned about the issue of the hijab. The 2004 law passed with barely any comment from the women of Petit Nanterre. What did motivate them to protest were other, more fundamental issues concerning their community’s well-being: educational opportunities for their children, the drug trade in their neighborhood, and discrimination their children faced in school. About these topics the women of Petit Nanterre were hardly cowed into submission and were instead quite politically active, trying to create a better world for themselves and their families.


Another issue Selby highlights is the fact that Muslim migrants and French women maintain mutually unflattering stereotypes of each other. The French stereotype of the “Oppressed Muslim Immigrant” is well known. But the migrants often stereotyped native women as “Liberated French Whores,” falling back on the popular idea that women’s liberation can be equated with sexual looseness and immorality. This preconception of French women not only performs the boundary maintenance roles that stereotypes often do, but also serves as a way to police the behavior of migrant women within Petit Nanterre itself. Through public surveillance and gossip, women regulate their neighbors’ tendencies to assimilate into the dominant culture—being too “French-French” becomes equated with moral failings and potential alienation from the Muslim-French community.


Overall, the book provides a fine overview of some French attitudes toward Muslim migrants, especially women, as well as an ethnographic exploration of a Muslim community in France. Yet the chapters did not always relate well one to another; for example, the discussion of “Marriage Partner Preference” seemed somewhat out of place. Nevertheless, the book would be a great text for an undergraduate or graduate course on migration, gender and Islam, or European anthropology.


Kim Shively is professor of anthropology at Kutztown University. SAR’s Guest Contributing Editor Robert W Hefner is professor of anthropology and director of the Institute on Culture, Religion and World Affairs (CURA) at Boston University.






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Monday 18 February 2013

'The Scars of Human Evolution': Physical fallout from two-footed walking

From sore feet to backaches, blame it on human evolution.



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Tree-ring data show history, pattern to droughts

Researchers used more than 1,400 climate-sensitive tree-ring chronologies from multiple tree species across North America to reconstruct the Palmer drought severity index (PDSI), a widely used soil moisture index.



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Is there a Neanderthal in the house?

As we humans evolved over the millennia to walk on two legs, grow larger brains and shorter jaws, bear big babies and live longer, we’ve also experienced some negative consequences. But keeping our evolutionary history in mind can help us better deal with issues from obesity to difficult childbirth in a much more productive way, according to an anthropologist.



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Ancient teeth bacteria record disease evolution

DNA preserved in calcified bacteria on the teeth of ancient human skeletons has shed light on the health consequences of the evolving diet and behavior from the Stone Age to the modern day.



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Animal model of human evolution indicates thick hair mutation emerged 30,000 years ago

The first animal model of recent human evolution reveals that a single mutation produced several traits common in East Asian peoples, from thicker hair to denser sweat glands, an international team of researchers reports.



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Studies reveal genetic variation driving human evolution

A pair of studies sheds new light on genetic variation that may have played a key role in human evolution. The study researchers used an animal model to study a gene variant that could have helped humans adapt to humid climates, and they used whole-genome sequence data to identify hundreds of gene variants that potentially helped humans adapt to changing environmental conditions over time.



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Sunday 17 February 2013

Evolution helped turn hairless skin into a canvas for self-expression

Hairless skin first evolved in humans as a way to keep cool -- and then turned into a canvas to help them look cool, according to an anthropologist.



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Friday 15 February 2013

Humans and chimps share genetic strategy in battle against pathogens

A search for long-lived balancing selection has found at least six regions of the genome where humans and chimpanzees share a combination of genetic variants. These human genetic variation dates back to a common ancestor with chimpanzees millions of years ago, before the species split.



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Thursday 14 February 2013

First animal model of recent human evolution reveals that mutation for thick hair does much more

The first animal model of recent human evolution reveals that a single mutation produced several traits common in East Asian peoples, from thicker hair to denser sweat glands, and computer models suggest the variation arose about 30,000 years ago in central China.



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Tuesday 12 February 2013

Scientists create automated 'time machine' to reconstruct ancient languages

Ancient languages hold a treasure trove of information about the culture, politics and commerce of millennia past. Yet, reconstructing them to reveal clues into human history can require decades of painstaking work. Now, scientists have created an automated "time machine," of sorts, that will greatly accelerate and improve the process of reconstructing hundreds of ancestral languages.



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Monday 11 February 2013

O Michael Watson

O Michael Watson

O Michael Watson



O Michael Watson, 76, professor emeritus of anthropology at Purdue University, passed away peacefully in his West Lafayette home on July 1, 2012.


Born in Knoxville, TN, in 1936, he arrived at Purdue in 1967 after serving in the US Marine Corps and completing both his undergraduate and graduate degrees in anthropology at the University of Colorado, Boulder. Save a short stint at UCLA, he spent his entire career at Purdue. He also served as a panel reviewer for the National Institute of Mental Health between 1971 and 1975 and held a fellowship at the University of Pennsylvania between 1973 and 1974, where he did research at the famed Center for Urban Ethnography alongside Erving Goffman.


Watson’s academic interests included proxemics and visual anthropology. His work received funding from both the NIMH and the NSF and his field sites included Tangier Island and a Navajo reservation in the Four Corners. He published numerous articles and a co-edited volume as well as a well-known book, Proxemic Behavior: A Cross-Cultural Study (Mouton, 1970). While attending a summer institute in visual anthropology in Santa Fe, New Mexico, he also co-wrote, directed, and produced a 1974 film, Spirit of Ethnography, which is still in circulation today.


Though a well-trained and accomplished researcher, Watson made a deliberate decision early in his career to focus on teaching, in order to build the anthropology program at Purdue. In fact, anthropology did not exist as a separate discipline at Purdue when he first arrived on campus, as he was hired by the department of sociology. He became well known for teaching large sections of Anthropology 100 to rave reviews, and also offered a number of unique courses on topics ranging from cannibalism to Celtic culture. Watson was recognized with a number of awards, including the Leonard Gesas Award for Best Teacher in 1973 and the School of Humanities, Social Sciences, and Education Excellence in Teaching Award in 1979. His teaching talents did indeed help establish a stand-alone anthropology curriculum within the Department of Sociology and Anthropology (as it became known in 1972) and, ultimately, the separation of the two departments in 2008, which led to the thriving Department of Anthropology that we know today.


As further testament to Watson’s devotion to teaching, an undergraduate award bears his name. Students constantly sent him thank you notes and even baked goods in appreciation for his teaching. At a private memorial service held this past summer, a colleague remarked that it was actually impossible to go out for dinner or a drink with Watson without former students approaching him and thanking him for his classes, often with a comment such as “You were my favorite teacher at Purdue” or “I still remember your class.”


Michael Watson is survived by his former wife, Mary Jo Sparrow, and daughters Katie Watson and Julie Watson and their partners Scott McIntosh and Jody MacDonald. He is remembered fondly and sorely missed. (Rachel L Einwohner)






via Anthropology-News http://www.anthropology-news.org/index.php/2013/02/11/o-michael-watson/

Sunday 10 February 2013

Robert Lawless

Robert Lawless

Robert Lawless



Robert Lawless, 74, cultural anthropologist and world renowned specialist on Haiti died of heart failure on February 2, 2012 in Wichita, Kansas. He was born October 4, 1937 in Tulsa, Oklahoma, and received his undergraduate training at Northwestern University, Illinois. He graduated in 1959 with a degree in journalism. After working in California, he joined the military as a Russian-English translator for the National Security Agency at the border to East Germany. During the 1960s, he taught English at Brent School, Baguio, Philippines before he began to lecture in anthropology at the University of the Philippines at Quezon City, where he also received his MA in Asian studies in 1968. He subsequently held a post as research fellow at the Institute of Asian Studies.


He earned his PhD in anthropology from the New School for Social Research and his doctoral thesis was The Social Ecology of the Kalingas of Northern Luzon (1975). In 1976, Lawless accepted the position as assistant professor at the University of Florida at Gainesville, where he received tenure two years later.


While earlier research focused on the questions of ecology and economy in the Philippines, a position as professor of African Studies at the University of Florida led to his research interest in Haiti. He published Haiti: A Research Handbook (1990) and, more importantly, Haiti’s Bad Press: Origins, Development, and Consequences (1992), which became his most well-known publication. That same year, he accepted an appointment at Wichita State University as associate professor and was awarded full professorship in 1994.


Lawless’ record of scholarship is based on his theoretical attentiveness and ethnographic encounter. His research focused on a comparative, holistic and evolutionary examination of cultures, and his writing is pithy and powerful. While his research in the Philippines included urban residents and tribal groups, his work in Haiti concentrated on sociopolitical structures, coffee production and local tourism. In conjunction with his interests in migration, he carried out fieldwork among immigrant ethnic groups in New York City.


Throughout his career, he facilitated an integrative and holistic approach to the study of culture in its cognitive and ecological aspects. He broadened the field of urban anthropology while bridging anthropology and journalism in new ways. Serving in various roles for professional organizations, including the Association of Third World Studies and the Association of Philippine Anthropologists, Lawless was interviewed and consulted as a respected specialist on national radio, television and court cases related to political situations and natural disasters in Haiti. He always took side with the local people and was directly involved in the drafting of position papers directed to the Aristide government to restore a representative government.


He is survived by his second wife Anita Raghavan with whom he was married since 1988, their daughter Sharmini and sons Kylen and Tavrick. He is also survived by his daughter Ilona and son Andrew from his earlier marriage with Aida Arribas as well by his granddaughters Mackenzie and Kerrigan and his brothers Jerrold and Lyndon. (Jens Kreinath)






via Anthropology-News http://www.anthropology-news.org/index.php/2013/02/10/robert-lawless/

Saturday 9 February 2013

Excavation set to shed new light on London's Victorian past

From a clay smoking pipe to Neolithic flint, a 19th Century garden has been revealing some of its secrets to an archaeological team from London's Kingston University.



via ScienceDaily: Anthropology News http://www.sciencedaily.com/releases/2013/02/130208182753.htm?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+sciencedaily%2Ffossils_ruins%2Fanthropology+%28ScienceDaily%3A+Fossils+%26+Ruins+News+--+Anthropology%29

David Kaplan

David Kaplan, 83, professor emeritus of anthropology at Brandeis University, passed away December 12, 2012 in Wayland, Massachusetts, after a five-year battle with pancreatic cancer. He was born in Union City, New Jersey, on May 8, 1929.


He received his BA, MA and PhD (1960) degrees in anthropology from the University of Michigan. His doctoral fieldwork was conducted in Mexico. He taught at the University of Oklahoma for two years (1959–61) and then was at Brandeis University for the rest of his career. He was promoted to associate professor in 1966, and to professor in 1972. He was awarded emeritus status in 1996.


Kaplan served as department chair twice, once in 1971–74, and again in 1979–80. He served as Dean of the Graduate School from 1983 to 1990. He published articles on Mesoamerica and his major publications concerned theory in anthropology. With his Brandeis colleague Robert A Manners, he published Theory in Anthropology: A Sourcebook in 1968. This was followed by Kaplan and Manners’ Culture Theory in 1972, a critical evaluation of major theories in anthropology. Culture Theory remained in print for decades and was widely used in anthropology courses in the United States and in other countries.


Kaplan’s areas of specialty included method and theory, economic and political anthropology, and peasant culture of Mesoamerica. At Brandeis, Kaplan taught courses on the nature of human nature and the evolution of political economy, as well as graduate seminars in method and theory. He helped advise many doctoral dissertations.


He is survived by Carol, his wife of 55 years; two sons; two daughters-in-law; and five grandchildren. (Robert C Hunt)






via Anthropology-News http://www.anthropology-news.org/index.php/2013/02/09/david-kaplan/

Thursday 7 February 2013

Most comprehensive tree of life shows placental mammal diversity exploded after age of dinosaurs

Scientists have generated the most comprehensive tree of life to date on placental mammals, which are those bearing live young, including bats, rodents, whales and humans.



via ScienceDaily: Anthropology News http://www.sciencedaily.com/releases/2013/02/130207141458.htm?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+sciencedaily%2Ffossils_ruins%2Fanthropology+%28ScienceDaily%3A+Fossils+%26+Ruins+News+--+Anthropology%29

Largest-ever study of mammalian ancestry completed

A groundbreaking six-year research collaboration has produced the most complete picture yet of the evolution of placental mammals, the group that includes humans. Researchers utilizes molecular (DNA) and morphological (anatomy) data on an extraordinary scale. By combining these two types of data scientists reconstructed, to an unprecedented level of detail, the family tree of placental mammals.



via ScienceDaily: Anthropology News http://www.sciencedaily.com/releases/2013/02/130207141446.htm?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+sciencedaily%2Ffossils_ruins%2Fanthropology+%28ScienceDaily%3A+Fossils+%26+Ruins+News+--+Anthropology%29

New look at human fossil suggests Eastern Europe was an important pathway in evolution

A fossilized bone fragment found buried deep in the soil of a Serbian cave is causing scientists to reconsider what happened during a critical period in human development, when the strands of modern humanity were still coming together.



via ScienceDaily: Anthropology News http://www.sciencedaily.com/releases/2013/02/130207114602.htm?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+sciencedaily%2Ffossils_ruins%2Fanthropology+%28ScienceDaily%3A+Fossils+%26+Ruins+News+--+Anthropology%29

Dancing with Tools

How Technologies Have Shaped Society and Vice Versa


Introduction: Tapping into the Past


Andes stone chips Photo courtesy Brigitte Jordon

Andes stone chips Photo courtesy Brigitte Jordon



We have been in bed with tools from the beginning. Every societal advance that we can trace or imagine has involved an intimate interplay between tools and social formations in the making. Now, at a time when the world is crying out for tools that help manage the uncertainties of globalization, automation and the digital revolution, we should consider what we can learn from the millions of years our ancestors have been engaged in making (and living with) tools not only for making things, but also for making sense of the world. I would suggest that the mutually defining relationship between humans and the extrasomatic aides we use to understand and construct our environment began long before the appearance of stone tools about 2.6 mya (million years ago). It is likely that the curious, exploratory, playful, intimate interaction with the material environment typical for our species began to co-evolve with the transformation of front paws into hands a very, very long time ago. This might have happened as early as five or six million years ago when we can assume that upright posture and bipedal locomotion emerged, for which hands and evolving tools would themselves have been driving forces.


Tools “Slowly Burst upon the Scene”


Functional hands are demonstrable by 4.4 mya with Ardipithecus ramidus and probably were present long before that. So it is likely that the earliest objects with tool-like functions appeared soon after our ancestors achieved upright posture, long before the earliest hard evidence for the use of stone tools, a bone with definite cut marks, about 2.6 mya.


We have no direct evidence for what these early technologies were like since they were eminently perishable. But we know that they must have existed before stone tools because the earliest stone tools are associated with social transformations that must have developed over long periods of time. Archeologists have found debris numbering in the hundreds in tool production workshops that indicate long distance procurement of raw material, mental maps and thus planning, social collaboration and thus a developed social life the antecedents of which are no longer recoverable, at least with current technologies. These findings imply creatures who were capable of intentional, systematic, rule-following design and fabrication of artifacts, and a societal reorganization that involved not only shifts in behavior patterns but also significant neural reorganization underlying increasingly sophisticated harnessing of experimental tools into social technologies.


Looking back, it appears that our ancestors’ activities generated a socio-material ecology of pseudo-tools (tools-in-waiting) that made social activities like sharing and gifting possible. They developed tool traditions that were at the same time perishable and enduring— perishable in their material manifestations but enduring in that they shaped the neurophysiological, behavioral, and social capabilities of their descendents. It is likely that parallel neurological modifications, in particular the elaboration of mirror neurons, supported increased empathy among conspecifics, the ability for one creature to read the feelings and state of mind of others, and thus anticipate their actions. It was these very early tools that left no trace but were instrumental in building basic human groups whose sociality eventually began to extend beyond the purely biological ties of procreative groups.


A Digital World


Guarani trap of sticks Photo courtesy Brigitte Jordan

Guarani trap of sticks Photo courtesy Brigitte Jordan



It appears that we are now in the middle of another major societal transformation in which, again, tools are intimately involved. Geophysical lifescapes are giving way to a virtual world that is no longer accessible with traditional tools, be they electron microscopes or video cameras, but rather are of a completely different kind. Originally our tools—for making things and for making sense of things—were inextricably sensory-based physical tools (like the oracles of the Greek and the microscopes of scientists). They dealt with geophysical realities. But the symbolic/digital transformation we are witnessing now no longer allows direct access to the world through our senses, nor through the mechanical tools we have built so far. To access the digital virtual world, the tools of the current era are digital and based on concatenations of statistical algorithms.


What we see is that tools again and again have shaped human society in ways that we could not have anticipated. This goes from the prehistoric development of tools for caring for others (like feeding a toothless group member—totally unexpected at a site in Dmanisi/Georgia 1.8 mya) to tools for transporting supplies and resources, such as the (perishable) slings, nets and baskets that might have been used for carrying babies, food, and useful raw materials to a new site—these were the kinds of tools that changed the structure of our ancestors’ lives for generations to come.


Later, we see the emergence of new technologies changing society in all-encompassing, unpredictable ways (Arthur 2009): the steam engine, other transportation technologies like cars and communication technologies like the telephone and now the internet. And of course, each societal restructuring birthed a fresh set of tools which, in time, wreaked their own transformations.


Digitizing Human Society


Throughout our species’ history and prehistory, progressively more sophisticated technologies, increasingly symbol-based, have shaped our lifescapes. I believe we are now on the verge of another huge transformative leap. A new driving force has become apparent: sociodigitization, the wholesale transformation of a geophysical world into digital representations (Latham and Sassen 2005, Arthur 2011, Jordan 2013).


The human environment is becoming a digital environment. Since the beginning of the current century most things social, cultural and physical (like real estate or professional expertise) have been undergoing a process of being digitized, transforming the geophysical reality of the human world into a cloud of digital symbols. Increasingly, largely ungrounded from observable physical phenomena, digital data are archivable at practically no cost. As every action is recorded down to mouse clicks, vast data jungles have appeared, the domestication and management of which is no longer possible with conventional tools. But new web-based digital tools are coming into existence to explore the promises of this situation, including powerful remote sensing technologies, search tools and archiving capabilities. These tools are algorithm-based probes into the structure of the digital cloud layer that rises up from and encircles our sensory-based, geo-corporeal world. Thus digitization holds out the promise of untold efficiency and reach because it makes data liquid and hypermobile, globally available, and potentially instantly actionable for anybody who can make meaning out of the digital deluge.


Looking at the future of anthropology in a digital world, the next step, already discernible, is a mixed research methodology consisting of physical body-based tools (think shadowing and participant observation) and algorithm-based analytic technologies (eg, Riopelle in Jordan 2013). But this time around we have the great privilege of ”being there” as participant observers and active agents in this ongoing societal realignment, observing, documenting, and making sense of this world.


Conclusions


We’ve been tracing the ways in which the fates of humans and their tools have been inextricably intertwined in the co-evolution of technology and human society. Now the digital revolution is generating another major restructuring of human lifescapes and we ask: Why should we care? What can we learn from this process at the current time when we face an increasingly uncertain world where the digitization of most things social, cultural, and physical has led to the outsourcing of our lives to the cloud? When we face a situation where much of what we want to know about human existence and action is buried in a humungous digital data glut that current tools can’t handle?


We know that throughout prehistory tools have played a major role again and again in restructuring the social formations that generated them, often with tremendous increases in human productivity, well-being and wealth, but also with major negative consequences (as happened with every major technology from farming to social networking).


We can be certain that to be viable some of these new tools will again become deeply embedded in our social world as they have been before. We know that they will change our society, that they will change relationships between individuals and groups, and that they will transform power relationships on all levels of society, from the family to supra-national, global structures.


We expect that these tools will once again shape the neurological, anatomical, behavioral and social structures of our species that we tend to see as indelible landmarks of humanity. We will look different. We will think differently, we will learn differently, and we will act differently.


We can expect that the intimate connection will continue. As new tools arise, congeal into regional and professional traditions, penetrate more and more spaces in our lifescapes, who we are and who we strive to be, will be affected by the new tools.


Mindful of the fact that it was tools that launched us on the path to humanity in the first place, we can now entertain the hope that our awareness and expertise can help move the spiraling helix of human evolution into an increasingly more productive, cohesive, all-inclusive, peaceful, healthy, trajectory.


Brigitte Jordan , a consulting corporate anthropologist, has conducted research in industry and other large organizations for more than 35 years. She has published widely and is the recipient of numerous awards, including the Margaret Mead Award and the Xerox Award for Excellence in Science and Technology. Her website is www.lifescapes.






via Anthropology-News http://www.anthropology-news.org/index.php/2013/02/07/dancing-with-tools-2/

Wednesday 6 February 2013

Features of southeast European human ancestors influenced by lack of episodic glaciations

A fragment of human lower jaw recovered from a Serbian cave is the oldest human ancestor found in this part of Europe, who probably evolved under different conditions than populations that inhabited more western parts of the continent at the same time, according to new research.



via ScienceDaily: Anthropology News http://www.sciencedaily.com/releases/2013/02/130206185841.htm?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+sciencedaily%2Ffossils_ruins%2Fanthropology+%28ScienceDaily%3A+Fossils+%26+Ruins+News+--+Anthropology%29

The Evolution of Anonymous

The hacker collective Anonymous, long characterized by its commitment to an unregulated Internet and high-profile acts against governments and corporate entities guilty of limiting or censoring the Internet, has experienced a quiet public transformation over the past few months. No longer is Anonymous simply a bunch of computer programmers scattered across the world waging an ideological war for Internet freedom; rather, Anonymous is now the champion of bullied teens, the challenger of religious extremists and recognized as one of Time’s 100 Most Influential People.


On October 10, 2012, Amanda Todd, a Canadian high school student, committed suicide after several years of cyber-stalking by an unknown man. A month earlier, Todd had posted a 9-minute YouTube video in which she shuffled through a series of handwritten note cards that detailed her experience over the past three years. Within the Anonymous network, someone took notice of the circumstances surrounding Amanda Todd’s death and posted the name, address and personal details of the alleged cyber-stalker responsible for her suicide and, later, shared these findings with the police. While Anonymous was unable to act to prevent the death of Amanda Todd, the hacker collective was able to exert its own special brand of cyber—justice in the case of 15-year-old Kylie Kylem.


In November 2012, Kylie Kylem, an American high school student, and victim of cyber-bullying by several classmates, logged on to Twitter and tweeted that she was considering suicide. While several of her tormentors encouraged her harm herself, activists from Anonymous and the Rustle League came to Kylie’s assistance and engaged the cyber-bullies in the Internet equivalent of a street fight. In short order the cyber-bullies were begging for mercy from Anonymous and promising to leave Kylie in peace (Full details of the exchange can be found here).


Beyond their defense of teenage cyber-bullying victims, Anonymous has made their presence known in an alleged case of sexual assault in Steubenville, Ohio. During an August 2012 party, several members of the Steubenville High School football team allegedly witnessed and participated in the rape of an intoxicated underage girl. By December 2012, members of Anonymous, dissatisfied with the response of local law enforcement and believing that the community was shielding members of the football team from prosecution, released a web video that warned school officials and team members to expect the release of personal information if they failed to act swiftly. On January 1, 2013, Anonymous, dissatisfied with the response to their initial communication, launched “OpRedRoll” in order to prompt action and gain media attention. Specifically, KnightSec, an Anonymous-affiliated cell posted a “dox” – an investigative dossier – of key school and government officials involved in shielding Steubenville football players and 12-minute video of a former Steubenville high school student making obscene jokes about the incident.


Anonymous has also engaged in a virtual cyber-war with followers of the Westboro Baptist Church, which has a long history of protesting at funerals in order to garner media attention for their opposition to homosexuals and Jews, among others. After the tragic death of 20 elementary school students and 6 school employees at the Sandy Hook Elementary School in Newtown, Connecticut, Westboro Baptist members indicated that they would protest the victims funerals. In response, Anonymous launched a denial of service (DDOS) attack against the Westboro Baptist Church website and posted a dox listing the names, addresses, phone numbers, email addresses and even social security numbers of church members. Several Anonymous-affiliated Twitter accounts promised continued action against Westboro Baptist members because, as the Twitter account @YourAnonNews posted “The message is simple: Dont fuck with little kids. Especially their funerals.


Initially, Westboro Baptist members refused to be cowed by public condemnation or the actions of Anonymous; however, Westboro Baptist never carried out its threatened protests of Sandy Hook funerals. Perhaps in response to the Anonymous attack in December, Westboro Baptist announced that they would protest the funeral of online activist Aaron Swartz, who committed suicide on January 11, 2013. After another Anonymous-led effort against Westboro Baptist – codename “Operation Angel” -, the lawyer for Westboro Baptist informed local law enforcement that they would not protest Swartz’s funeral.


In the past four months, Anonymous has evolved from a straightforward collection of hackers focused on maintaining unregulated access to the Internet to a sort of web-based super cop dedicated to championing who it perceives as victims and punishing those it deems to be criminals. This shift in focus and tactics is profound. No longer is Anonymous confined to battles of and within the realm of the Internet; rather, Anonymous is clearly expanding its reach into the “real world”. What has remained consistent is that Anonymous is using its particular skill set in computer networks to create real action and consequences in the world outside the Internet. While there are serious questions concerning the legitimacy and efficacy of Anonymous’ application of justice, few can deny that this group of activists has found a way in which to create and enact change in the world.


Robert R Sauders is an assistant professor with a joint appointment in the Department of Geography and Anthropology and the Department of History at Eastern Washington University. His ongoing research examines the role of international activism in ethno-territorial conflicts. Currently, Robert is analyzing graffiti on the Israeli Separation Barrier as a means of understanding how international activism influences and, at times, alters the communication and narration of popular resistance in the Israeli-Palestinian conflict.






via Anthropology-News http://www.anthropology-news.org/index.php/2013/02/06/the-evolution-of-anonymous/

Teaching Technologies for Research, Collaboration and Dissemination

Teaching together at the University of Alabama, our objective is to transform students into anthropologists—whether for a semester or a lifetime. We take an active learning approach and push the students to do anthropology, actively producing knowledge rather than merely being vessels for it. This strategy removes anthropology’s aura of esoterica, connects the discipline to students’ practical concerns, and fosters higher levels of engagement and retention.


Revealing how anthropological knowledge is generated (while teaching it) is no simple task. When students become anthropologists, instructors face planning and logistical challenges, but we have developed a set of concrete, technology-based solutions to those challenges that can enhance student research, encourage collaboration, and facilitate the distribution of anthropological perspectives. Drawing on examples from several courses, we explain how we have adapted the tools of our trade in student-led linguistic, cultural, and bioanthropological projects. Specifically, we:



  • Outline successful practices for training students in the use of digital technology for audiovisual projects and video ethnography

  • Discuss the educational adaptation of Podio, an online work platform for collaboration and project management, which can be used with Apple and Android devices

  • Evaluate the pros, cons and best practices for involving students in digital anthropology through blogging.


Data Collection and Analysis


Video ethnography acquaints students with contemporary tools of data collection and analysis but can be challenging information for a beginner to assess.


Course Setting: Students collected video recordings of social interaction in the context of traditional ethnographic research. They proposed a social setting to investigate, developed research contacts, obtained consent, and then conducted observations, interviewed participants, and video-recorded relevant social interactions. The instructor (Wolfgram) has IRB approval for students in the course to collect ethnographic and video data, and, ultimately, the data will be compiled as part of a research archive of spoken English.


There are two key problems with video evidence of social interaction and, in particular, its use in training novice researchers. First, video is fairly easy to collect yet challenging to analyze. A 15-minute recording of classroom discourse, for example, will yield a semiotically dense record that can be analyzed from multiple perspectives. Larger recordings are easily collected, but will elicit an overwhelming abundance of data that is challenging to organize and analyze in a meaningful way. Yet, while one problem with video is the density and potential amount of data, another is that video recording systematically excludes relevant context, by framing the recorded event and the proximate visual-spatial information as the only focus of inquiry. Thus, video is at the same time too rich and, deceptively, not rich enough.


Two approaches resolved this double-bind. The first was a technological solution, which involved training students to use video and discourse analysis software called Transana (www.transana.org). Transana was designed at the Wisconsin Center for Education Research, primarily for analyzing classroom discourse and enables analysts to segment the linear sequence of video data into relevant units (or clips) that can be transcribed, coded, and annotated. The second resolution is the integration of ethnographic insight. Clips are compared and sorted into categories, and analytical notes gained from this process are appended to the clips. As compelling analyses emerge from this process, the students present their video and interpretations to the class for criticism. Organizing video data in Transana helps mitigate the problem of the semiotic density of linear recordings. The focus on the video data, however, compounds a tendency toward over-objectification of the event as the focus of inquiry. Therefore, students are required to document the social setting, as well as their framing of scenes (which includes justifying the positioning of cameras and microphones) in field notes.


The ethnographic encompassment of video data encourages students to be both practically committed to the analysis of the social interaction documented in the encounter but also critical of that evidence. Ultimately, the goal is to socialize students with a disposition of critical realism—that social realities are simultaneously knowable yet complex and problematic—by involving them in anthropological research.


Collaboration


Anthropology is increasingly collaborative, but group work is difficult in contemporary college culture, as is ensuring data security in shared class projects.


Course Setting: Upper-level undergraduates are tasked with developing and implementing original, ethnographic research to meet the information needs of UA University Libraries. A single, designated class project is developed in order to involve the greatest number of students in meaningful research, while keeping the instructor’s supervisory load to a manageable level. Students receive identical in-class training, and their labor is pooled for data collection and analysis tasks. Yet, each individual is assigned to one of three small project teams to develop their “deliverable”: the final written report, a PowerPoint slidedeck and oral presentation, or the public-facing, course website. As an instructor, I (Cooper) appreciate the ability to teach research design and methodology with an applied slant and at a level that is manageable for undergraduates, but this is a model that demands group work and a secure, reliable, and accessible space for collaboration.


The lone anthropologist is a thing of the past with the proliferation of interdisciplinary teams and increasing attention to the questions and research priorities of the peoples we study. It is no longer simply a case of “when they read what we write.” Anthropology’s informants have become participants, from project design to data analysis. Our discipline is collaborative, but unfortunately, our students are often not.


As Cathy Small relates in My Freshman Year: What a Professor Learned by Becoming a Student, within contemporary college culture scheduling is a complex art. With varied course work, living accommodations, employment, and extracurricular activities, organizing a series of face-to-face meetings for a class project is often viewed as an undesirable burden. Luckily, technologies such as Podio are easily adapted for educational use.


Course management software is designed for top-down, information transfer and its numerous features can be overwhelming. Podio, in contrast, assumes that information will circulate through a team, and therefore prioritizes discussion. The set-up is flexible and familiar as users design their workspace by selecting free applications from Podio’s App Market. This process encourages students to think through how they will work together to accomplish the assignment and what tools they will require. It also provides a stable, protected environment for data storage. Hosted on Amazon’s cloud, data access is consistent and rarely sluggish, while information is secure enough to satisfy IRBs with in-motion encryption during transfers and at-rest encryption in storage. Even Podio employees lack access to the data as there is no super-user account. Moreover, by providing a detailed audit trail of each student’s activities in a single location, it becomes easier to hold individuals accountable and anticipate and correct poor group dynamics. Larger universities are likely to have an existing Podio account that instructors can piggyback onto—as is the case at UA—but where this is not possible, Podio offers “sponsorship” (ie, free access) to student groups.


Dissemination


Students need a low-risk venue to develop their voices through evidence-based exploration and connect to a larger audience.


Course Setting: For a recent graduate-level physical anthropology course, we set up the “Anthropology Blog Network” (anthropology.ua.edu/blogs/), which enables anyone affiliated with our department to have an independent blog site within the network to write about anthropology. Students in the course were required to fully set up their sites (i.e., give them names and identities with photos and bios), with the hope that some would be motivated to continue blogging after the course. Each week, a few students summarized readings as blog posts, writing both for their peers—to be used as study material—and the public – aiming to be accessible and interesting. A benefit of independent blog sites within a network is that there is always some activity, regardless of the posting frequency of any individual, preventing the “dusty” look of an infrequently changed website. Moreover, any single post by any blogger increases the likelihood that readers will stumble across the posts of others bloggers, increasing site-wide traffic.


The downside of blogging is that it involves time sometimes better spent on the “real” nuts and bolts of anthropology. In reality, the value of blogging for anthropology students far outweighs this con. It is a low-cost means of engaging in public anthropology, molding the discipline, publicizing research, and being creative within one’s workflow. Blogging can be particularly useful for upper-level undergraduates or graduate students, whose writing skills, creativity, and research activities are more advanced. For faculty, setting up a blog site to facilitate this is technically “free” but may involve some opportunity costs in learning how to do so. For instance, WordPress is popular open source software that is user-friendly; as in our case, a university may even have web specialists to assist in site setup and management.


For students to make the most of a novel endeavor like course blogging, actual demonstrations of its potential are useful. A list of biological anthropology blogs currently on the internet was compiled to provide students with inspiration. We also hosted a visit by paleoanthropologist John Hawks, author of “John Hawks Weblog” (johnhawks.net), among the web’s most successful science blogs. Speaking to the students, he noted that many public outreach websites, such as those hosted by museums and other organizations, receive far fewer visits than one might imagine—some on a scale of only hundreds—and that this volume of traffic can be achieved relatively quickly and easily by one active blogger or a series of posts by a collective.


In discussing readings on a public blog site, using categories and tags to make key terms searchable, students open themselves up to discussions with the very scholars they are summarizing. At least one student was contacted this past semester by a scholar she was blogging about, who sent her more recent articles to flesh out our understanding of the material. Finally, blogging provides a means of writing about research before it is technically time to write about research. Students can begin to formalize their thinking about the theory and research with which they are engaged, while holding back material that would undermine their future efforts at publishing in peer-reviewed journals. This is important, because writing for peer-review becomes increasingly stressful as the pressure to “publish or perish” mounts. Blogging provides students the opportunity to develop confidence in their voices through evidence-based exploration while connecting to an audience for their work and future in the field.


Ultimately, our pedagogies utilize different tools to involve students in the work of anthropology—from data collection and analysis to collaboration and dissemination. This survey of teaching technologies illustrates how tech-based solutions can be deployed to connect students with our discipline.


Elizabeth Elliott Cooper (MPH, 2006, PhD, 2009, U South Florida) is an assistant professor at the University of Alabama. Funded by the National Science Foundation and the Fulbright Fellowship, she has conducted extended fieldwork in Sarawak, Malaysia addressing food security, household coping strategies, dietary delocalization and food-based identities.


Christopher Dana Lynn (PhD, 2009, U Albany) is an assistant professor at the University of Alabama. Funded by the National Science Foundation and Society for the Scientific Study of Religion, he studies religious commitment in Costa Rica, fireside relaxation response, tattooing and immunoresponse, and co-directs the Evolutionary Studies program.


Matthew Wolfgram (PhD, 2009, U Michigan) is a linguistic anthropologist and assistant professor at the University of Alabama. His research is on the role of discourse practices in the post-colonial history and practice of South Asian medicine, and on gesture and social interaction in STEM classrooms in the US.






via Anthropology-News http://www.anthropology-news.org/index.php/2013/02/06/teaching-technologies-for-research-collaboration-and-dissemination/

Sustainable Archaeological Tourism of the Underwater Maya Project by 3D Technology

Artifact Replicas from 3D images printed in the 3D printer in the LSU Digital Imaging and Visualization in Archaeology (DIVA) lab, as well as the original artifact. Photo courtesy H McKillop

Artifact Replicas from 3D images printed in the 3D printer in the LSU Digital Imaging and Visualization in Archaeology (DIVA) lab, as well as the original artifact. Photo courtesy H McKillop



What if archaeologists could make exact replicas of artifacts, make them bigger or smaller, and make whole vessels from potsherds? We can do this and more, with 3D imaging and 3D printing. But why should we bother, when we have the actual artifacts? Unless you are a museum curator studying material in the collections, most archaeologists are temporary custodians of artifacts to be curated elsewhere after initial study is completed. Archaeologists can keep 3D digital images of artifacts for further study, even enlarging the digital artifact for closer examination. We can share the image with colleagues, students, or even make digital museums, or incorporate the 3D digital artifacts into a GIS. For that “gee-whiz” impact, we printed 3D replicas of artifacts for showing colleagues at conferences, granting agencies, and visitors to our lab, the LSU Digital Imaging and Visualization in Archaeology (DIVA) lab.


Most of our imaging focuses on making accurate 3D images of fragile waterlogged artifacts from the Underwater Maya research project, where we have wooden buildings preserved in a peat bog below the seafloor.


Where we have made a big impact is creating exhibits using 3D replicas of artifacts from our 3D printer. In 2012 we opened two permanent exhibits in Belize with 3D artifact replicas. This makes archaeology tangibly accessible to the public, especially in areas without widespread access to the Internet or museums. While a picture of an artifact may be worth a thousand words, a 3D replica is priceless. We discuss the equipment and software we use in the LSU DIVA lab and our current and future exhibits featuring 3D replicas from the Underwater Maya project, including the only ancient Maya wooden canoe paddle.


Underwater Maya Project


The 2004 discovery of ancient Maya wooden buildings and the only known ancient Maya wooden canoe paddle, preserved in a peat bog below the seafloor in a shallow coastal lagoon, led to the development of the ongoing Underwater Maya project. Discovery and mapping of some 4,000 wooden posts defining the outlines of buildings at 105 underwater sites was carried out between 2005 and 2009. The sites were salt works, where brine was evaporated in pots over fires inside buildings—to help meet the inland Maya demand for salt. The salt works were submerged by sea-level rise and protected by peat developed from red mangroves that kept pace with sea-level rise. Excavations of selected underwater salt works, ongoing since 2010, have yielded enormous quantities of salt-water saturated wood and pottery that deteriorate on exposure to air, underscoring our research interests in 3D imaging of perishable materials. All material recovered on survey or from excavations is placed in plastic bags full of fresh water to maintain the integrity of the artifacts. Selected artifacts, notably the K’ak’ Naab’ wooden canoe paddle, were exported for conservation in the US, under temporary export permit from the Belize government Institute of Archaeology. Excavations of the salt works produce large quantities of briquetage (salt-making artifacts), which we study at our Lagoon Lab, set up with plastic tables under a tent in shallow water near the excavations. Selected material is taken for 3D scanning at our base camp or for temporary export for specialist analyses or conservation.


Snorkeling archaeologists searching for underwater sites, with ancient Maya preserved wooden posts in the foreground. Photo courtesy H McKillop

Snorkeling archaeologists searching for underwater sites, with ancient Maya preserved wooden posts in the foreground. Photo courtesy H McKillop



Digital Imaging and Visualization in Archaeology Lab


The Digital Imaging and Visualization in Archaeology (DIVA) Lab was established with funding from the Louisiana Board of Regents (BoR) in 2009 and has expanded to include various imaging, educational, outreach, and exhibit projects. Equipment purchased with the BoR grant includes three NextEngine 3D portable scanners operated using laptops with “hot video” cards and a lot of RAM; a Kreon hand-held 3D scanner attached to a Microscribe arm and operated from a workstation in the DIVA lab; a microscope for imaging thin-sections; and a Dimension Elite 3D printer. In addition to the HD Pro ScanStudio and Scantools software specific to the 3D scanners, other software for manipulating 3D images includes Avizo, Rhinoceros, SolidWorks, and Rapidform. All 3D scanners are used in the DIVA lab, but we also take a NextEngine scanner to Belize to image fragile and salt-waterlogged artifacts and wooden posts, which allows us to preserve the artifacts by returning them to protective underwater locations (which we mark by GPS) to study in successive years. Curating the salt-waterlogged artifacts in the sea allows us to select a small quantity of material for conservation in the US under temporary export permits from the Belize Institute of Archaeology. The 3D printer weighs 300 lbs, so all printing is carried out in the DIVA lab at LSU, using the printer software to set up the specifications of the replica from an STL file, created in the lab, downloaded from a FTP site, or stored on a portable hard drive.


E Cory Sills making 3D scan of artifacts in the Belize field lab. Photo courtesy H McKillop

E Cory Sills making 3D scan of artifacts in the Belize field lab. Photo courtesy H McKillop



Tips for 3D Imaging and 3D Printing


Having imaged over 400 artifacts and printed over 600 plastic replicas, we have discovered there are several important criteria for imaging and printing of archaeological material: We aim for high-accuracy in 3D scanning, since our images will be a permanent digital record of the objects for archival and research purposes. Although you can clean up a 3D scan in “post-processing,” the image accuracy is better if you begin with a good scan. This goal results in large image files, typically over 700 MB for a stone tool, for example. We use Avizo software to reduce the image file size to print exact replicas on the 3D printer, which has a maximum file size of about 250 MB. We also reduce the file size for sharing digital images, including attaching to the Underwater Maya GIS. To image artifacts, especially large or detailed objects, and manipulate the images, we need computers with good processors (such as I-7, over 2.5 MHZ), hot-video cards with dedicated video memory (1GB or more), and lots of RAM (at least 12 GB, but more is better). In the field in Belize, we scan artifacts but post-process the images (removing extraneous data, joining images to create the object) and manipulate images using other software in the LSU DIVA lab. Limiting field imaging to basic scanning maximizes our use of time in the field since all of our electricity is from a small generator.


When we print 3D images, we set up the orientation, size, and density of the plastic replica and the support on the computer screen. The replica is created from cartridges of ABS+ plastic in long strands that are heated in the printer and extruded as fine filaments of plastic. The replica is built, first by the support material, and then the model material, so the orientation of the object is important: If a stone point is oriented vertically the replica will be more accurate along the side edges than if the object is oriented sideways. In order to keep track of scanned artifacts and the 3D prints—including the amount of plastic used, time to print, and


Artifact replicas made in the 3D printer. Photo courtesy E C Sills

Artifact replicas made in the 3D printer. Photo courtesy E C Sills



techniques—we maintain detailed spreadsheet records.


Collaboration in 3D Imaging


LSU student Roberto Rosado using the Kreon Scanner to make a 3D image of the K’ak’ Naab’ canoe paddle. Photo courtesy H McKillop

LSU student Roberto Rosado using the Kreon Scanner to make a 3D image of the K’ak’ Naab’ canoe paddle. Photo courtesy H McKillop



Collaboration with other labs at LSU, as well as the private sector, broadens our access to expensive, high-tech equipment and expertise. In the DIVA lab we focus on 3D scanning and printing which is time-consuming and requires expertise, especially for post-processing and manipulating of images. Both in terms of the costs of equipment and the requisite expertise, we have found valuable collaborations with others: The K’ak’ Naab’ canoe paddle was conserved by C Wayne Smith at Texas A & M. James Ruz carried out a CT scan of the canoe paddle in the radiology department at Woman’s Hospital in Baton Rouge which we manipulated using Avizo software and collaboration with the LSU Visualization Technology Center. Miguel Ocana from Nikon Metrology imaged skeletal material with a micro-CT scanner, providing a better exterior surface than we were able to do with our 3D equipment, as well as imaging the interior of the bone and teeth. In order to make 3D replicas of large objects beyond the printing capabilities of our 3D printer (20 x 20 x 30 cm), we turned to CNC technology, which is a subtractive process of cutting objects from a block of solid material using XYZ coordinates from our 3D scan “STL” files: The K’ak’ Naab’ canoe paddle, which measures 1.43 m in length, is being milled in wood in the LSU Mechanical Engineering lab using CNC technology.


Beyond 3D Imaging: Printing Replicas for Exhibits


LSU student Patrick Vines created a complete vessel from a potsherd using Rhino software, shown here in the 3D printer. Photo courtesy E C Sills

LSU student Patrick Vines created a complete vessel from a potsherd using Rhino software, shown here in the 3D printer. Photo courtesy E C Sills



The potential for sharing the past using displays of 3D artifact replicas is tremendous for schools, communities lacking museums or widespread access to the Internet for “digital museums,” and for engaging people with archaeological sites. To further communicate to the public, we digitally reconstruct complete vessels from pottery rim sherds, and print the complete vessels for exhibits: Only archaeologists can visualize in our minds a rim sherd as a complete vessel!


Opening of permanent exhibit in the Tourism Information Building in Punta Gorda, Belize featuring 3D replicas of artifacts and wooden posts from the Underwater Maya project. Time release photo courtesy H McKillop

Opening of permanent exhibit in the Tourism Information Building in Punta Gorda, Belize featuring 3D replicas of artifacts and wooden posts from the Underwater Maya project. Time release photo courtesy H McKillop



In March 2012, with funding from a “Site Preservation Grant” from the Archaeological Institute of America, we opened two permanent exhibits, including one in Punta Gorda and another in remote Paynes Creek National Park, accessible only by boat. The exhibits include plastic replicas and text inside wooden display cases, accompanied by laminated posters. The artifact replicas were printed using a 3D printer, from 3D scans of artifacts made both in our remote jungle camp in Belize and in the LSU DIVA Lab. Exhibits using 3D replicas of artifacts integrate the Underwater Maya Archaeology project with local tourism in southern Belize and inform descendant Maya communities about their heritage, thereby helping to protect the ancient sites by “sustainable archaeological tourism.” Our success of creating displays with 3D replicas underscores the potential for exhibiting 3D replicas that do not require loans of actual artifacts, or security for actual artifacts (Figure 8).


Our next exhibit, also funded by the AIA grant, features a replica of the ancient Maya wooden canoe paddle from the K’ak’Naab’ underwater Maya site. Even though the paddle was conserved, it


LSU student Abby Woltering painting 3D prints of stemmed points in the LSU DIVA lab. Photo courtesy H McKillop

LSU student Abby Woltering painting 3D prints of stemmed points in the LSU DIVA lab. Photo courtesy H McKillop



continues to deteriorate from cracks it received in antiquity, so our 3D digital image will be the enduring record of this scientifically valuable artifact. While the original paddle will be returned to the Belize Institute of Archaeology, a full-sized replica in wood will be


available in a public exhibit in Belize.


Heather McKillop (Louisiana State U) has ongoing field research on the ancient coastal and underwater Maya in southern Belize. Her books include In Search of Maya Sea Traders, Salt: White Gold of the Ancient Maya, and The Ancient Maya. She received grants for the Underwater Maya project from LSU, Foundation for the Advancement of Mesoamerican Studies, National Geographic Society, and the National Science Foundation.


E Cory Sills is a PhD candidate in anthropology at Louisiana State University. Her MA thesis was on mapping wooden architecture at one of the underwater sites. NSF awarded her a dissertation grant to support her work on underwater excavations. She is manager of the LSU DIVA lab.


This material is based upon work supported by the National Science Foundation under Grants No. 0513398 (McKillop), 1026796 (McKillop, McKee, Roberts, and Winemiller), and 1139178 (McKillop and Sills). For more information about Underwater Maya AIA Site Preservation project, see http://www.archaeological.org/projects/paynescreekbelize.






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VARch: Virtual Architectural Reconstruction

Digital Cinema for Anthropological Research

The Advanced Laboratory for Visual Anthropology at California State University, Chico


The Advanced Laboratory for Visual Anthropology at California State University­–Chico is the first facility to adopt digital cinema technology for anthropological research and the diffusion of its results. This unique laboratory, created with support from the National Science Foundation, Major Research Instrumentation Grant, holds the potential to transform the relationships among scholars, students and the mass media. Digital cinema is a cover term for new technologies that produce moving images of a much higher quality than conventional video. These technologies can enable anthropologists to produce motion pictures whose production values equal or surpass those of professional media production companies. Digital Cinema is revolutionizing Hollywood and independent film production alike. It holds the potential to revolutionize the field of visual anthropology as well.


Motion picture cameras have been part of anthropologists’ methodological toolkits since the inception and professionalization of the discipline. Mead and Malinowski shot films in their field sites. Notes and Queries in Anthropology offers advice and prescient words of warning to budding ethnographers who would bring motion picture cameras to the field. The advent and wide dissemination of digital video cameras has democratized access to the medium. Today, motion picture capture technology is well within the reach of most anthropologists and many of the people with whom we study.


However, in spite of the profusion of digital video capture devices, anthropologists have rarely succeeded in using them to convey the results of their research to mass audiences. Luminaries of anthropological filmmaking like Jean Rouch, Robert Flaherty, Robert Gardner and Timothy Asch challenged and ultimately transformed the conventions of documentary film. They also succeeded in conveying the insights derived from anthropological research far beyond the confines of the academy. They worked in an extraordinarily difficult and expensive medium. However, the advent of cheap and simple digital video cameras has not always enabled contemporary anthropologists to reach the same broad publics.


Anthropological Research and the Mass Media


There is ample interest in anthropological topics in mass media outlets. Programs devoted to themes from cultural anthropology, archaeology, physical and especially forensic anthropology attract millions of viewers on cable and network channels alike. Anthropologists are often called in as consultants on these programs. We pose in front of our bookcases and provide soundbites to fill the gaps in a producer’s script. But our research is presented inadequately and inaccurately at the moment when it has the potential to reach the largest number of people. This is because we do not possess the tools of professional media production or the wherewithal to use them effectively. This is the problem that the Advanced Laboratory for Visual Anthropology seeks to solve.


Our mission is to put the tools of professional media production into the hands of anthropological researchers from across the four fields. We can help anthropologists convey the results of their research to broader publics by pairing them with crews of students who are trained in anthropological theories and methods as well as cinematic technique. We can create anthropological documentary films that will be effective in the classroom, on the Internet and on the airwaves. Our aim is to professionalize our cinematic craft while maintaining the rigor of our theories, our methods and the presentation of our data. We leverage some unique technological resources to accomplish this.


The Advanced Laboratory for Visual Anthropology is built around the Red Digital Cinema Camera System. At present, it houses a Red One and a Red Scarlet Camera. The Red camera is the first digital motion picture capture technology to equal, and perhaps surpass, 35mm motion picture film. It has been used in Hollywood blockbusters and independent films from The Artist to The Hobbit. This system dramatically lowers the cost of professional cinema production by introducing an entirely digital production and postproduction workflow. The 35mm film stock alone for a feature length-documentary would cost over a million dollars. Our solid state digital recording media can be reused indefinitely.


Opportunities and Challenges with a New Cinematic Technology


The Red camera system captures images with a resolution of 4,000 vertical pixels and 12 bits of color information. This is equivalent to taking 24, 12-megapixel raw photographs per second. Researchers use professional prime lenses to maximize the quality of the images we capture. Audio recording is performed with professional microphone kits. Three Canon DSLRs function as a “B-Cameras” for the Reds and also provide compact and workable field kits when those cameras are unavailable or logistically impractical to work with.


At full 4K resolution, the Red camera generates approximately 8GB of data every five minutes. In the field, this data is recorded to Compact Flash cards and Solid State Drives and stored on 500 GB portable harddrives. In the laboratory this data is housed and processed on a 32 terabyte Redundant Array of Inexpensive Drive (RAID) subsystem. This subsystem is connected to two editing bays over a Fibre Channel network and a parallel, Ethernet-based, local area network. This network ensures that data can move freely between the storage system and the editing workstations at the extraordinarily high speeds necessary for 4K video editing. It also ensures that multiple researchers can access their project files at the same time.


Our editing workstations have high-speed multicore processors, ample RAM and powerful graphics processing units. The network allows this processor power to be allocated to the tasks where it is needed most. Researchers use cinema display monitors for online editing. In order to take advantage of the flexibility to adjust exposure and color offered by the Red system, we also use a broadcast HD monitor calibrated for precise color rendition. We have a full complement of professional software for non-linear editing as well as technical support for final color correction, audio mixing and mastering.


Video formats change over time. This often leads to the loss of anthropological work. We seek to avoid the obsolescence our motion pictures by adopting multiple video mastering and archiving solutions. We use an LTO-5 digital linear tape system to create legacy copies of the motion pictures at full 4k resolution. This is the most stable archiving mechanism currently available. These legacy copies can be opened and adapted to multiple formats creating a “future-proof” storage solution. Raw footage is also archived in this medium to make it accessible for future generations of researchers.


We strive for the widest-possible dissemination of our research results through classrooms, film festivals and television broadcasts. For this purpose we have an HD DVCPRO video recording deck. This creates high definition (1080p) video tape that is up to the standards of broadcasters and some film festivals. Individuals and academic institutions are more likely to have Blu Ray players for HD playback. We have a Blu Ray burner drive to enable the creation and distribution of HD Blu Ray discs. We can also master standard definition DVD’s, Digital Cinema Packages and almost any other commercial or consumer format.


Digitial Cinema in Anthropological Research Contexts


The Red camera system is compact and robust. It is able to withstand the rigors of anthropological filmmaking. It offers unparalleled image quality as well as flexibility in the post-production workflow. Films produced by anthropologists using this technology meet and exceed the standards required for television broadcast. Our films have screened on public broadcast affiliates and will screen on cable networks across the West Coast and across the country, reaching millions of people. We have completed four films and have many more in various stages of the production pipeline. Undergraduate and graduate students have been involved in directing, shooting and editing all of these films. A novel curriculum has allowed our students to succeed in designing, executing and completing independent ethnographic film projects.


We look forward to building on our track record of innovation in anthropological imaging by producing live-action anthropological films for the immersive environment of the hemispheric planetarium dome. We are also exploring the possibilities of 3-D anthropological filmmaking as well as aerial videography for ethnographic and archaeological projects. We have facilities for professional still photography for cultural anthropological, archaeological and forensic applications. We also offer contract filmmaking services to state agencies and cultural resource management companies to help them fulfill their obligations under Section 110 of the National Historic Preservation Act.


The initial cost as well as the technological complexity of this camera system and the data storage and processing architecture it requires may prove prohibitive for many anthropological researchers and their departments. However, we invite informal proposals for collaborative film projects that will involve our graduate and advanced undergraduate students and take advantage of our unique equipment and facilities. Budgets for such projects need not be extravagant but should minimally include transportation, room and board and insurance for participants and equipment. We also solicit applications to our four-fields Masters program in anthropology and offer students the opportunity to make a film in partial fulfillment of the thesis requirement. Please direct inquiries to Brian Brazeal at bcbrazeal@csuchico.edu.


It is our hope that the Advanced Laboratory for Visual Anthropology will be a resource for researchers across the discipline and around the world. We also hope that the films we produce will be a resource for teachers in universities and K-12 institutions alike. Our ambition is to transform this laboratory into a global center for anthropological documentary film production. It will take researchers who are committed to the broad dissemination of the insights of our discipline to transform this vision into a reality.


Brian Brazeal is an assistant professor of anthropology at California State U–Chico. His research interests include the African-derived religions of Brazil as well as the religious dimensions of the global trade in emeralds. He founded and directs the Advanced Laboratory for Visual Anthropology at California State University–Chico.






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